The latest column. Nothing else struck me for writing, but a conversation about exotic pets led to a sobering realization about Thundercats. Read on.
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Anybody remember Highlander?
I grew up with that stuff, but when the subject of that most excellent specimen of 80s Sci-Fi came up in the newsroom — part of a conversation on the proper care and feeding of Brazilian piranhas, believe it or not — one of our cohorts confessed himself to be too young to know it.
So I told him.
Highlander is a movie, later a show, about a Scotsman.
He is immortal.
He carries a big sword.
And he uses it to decapitate other immortals, not all of whom are Scottish. Because, you see, there can only be one.
When this happens, lightning bolts flash forth from the ... er ... stump, powering up our hero. Apparently, if this goes on long enough, the last immortal standing will gain a great and mysterious power.
Oh, and said immortal Scot is an antiques dealer, played by a French actor born in the U.S.
Still, he's not the only immortal in the film. There's another one, this one played by a real (and great) Scot, Sean Connery.
He, however, does not play a Scot. He's a Spaniard. Also, he is the chief metallurgist for the King of Spain, or something. And he has a thick Scottish accent.
He dies at one point, but he comes back in the next movie. The whole thing's a bit of a mess, really.
Oooh! Oooh! I almost forgot the show. That was actually pretty cool. Queen did the theme song, and I think the main character (another, totally different Scotsman, this time played by a British actor) had a pony tail, so that's how you know.
I loved the show. I loved the movie. I grew up with that stuff, and it was one of numerous cultural influences that shaped me.
And it wasn't until I had to explain it to my coworker that I finally realized: Good Lord, that stuff was bad.
It was. It was terrible. I loved it, and probably always will, but it was really kind of ridiculous.
I guess it's strange how what you grew up with, shows, cartoons and movies included, looks great in your head as you grow up, but when you look at it again as an adult, the sheer daftness of it comes crashing down.
That goes triple for the 80s cartoons you thought were incredible growing up.
GI Joe, Transformers, He-Man, Thundercats, all of ‘em would get you out of bed at ungodly hours to watch them on TV, or eagerly home from school every day to watch the episodes on tape (Thanks, mum and dad).
But when you're watching them, you're just too young to realize ... most of this stuff isn't very good. The writing is daft and hackneyed a lot of the time. The animation is mass produced and worsens as the shows go on. And at the end of it, one of the main characters usually turned up with a moral lesson shaped like a sledgehammer and beat your young, impressionable mind with it awhile.
Case in point: Thundercats. That 80s gem was about a gang of human-shaped cat people (yes, cat people). Their leader was a 10-year old trapped in a 20-year old's body. He had a sword as well. At the climax of every episode, it would get bigger and give him and the other cat people special powers, which they would use to fight an evil mummy.
And not just any mummy. Sure, he looked like your average, desiccated former Egyptian most of the time, but when it came time to fight his foes the cat-people, he'd mutter some magic words and turn into a big, flying, gray-skinned body-builder with evil powers of destruction.
When I was a kid, that was awesome.
Hell, even as an adult, that's awesome. I'd sit on the balcony with my friends, and we'd laugh and reminisce about the cat people, or the mutant turtles or the big robots.
But the awesome usually stops when you look at the episodes again, which I did not long ago when I scored a copy of season one of Thundercats.
With adult eyes, I watched the old episodes that entertained me as a kid.
Then I put the DVDs away. It wasn't the same, and the same probably goes for all the other shows I watched in the 80s. I wanted to remember the cat people as the dashing heroes of my childhood, a common bond I shared with others of my generation, not the 22-minute toy commercials my parents knew they were.
When I'm savouring the weird locales, large-than-life characters and fantastic tales that fed my young imagination, I'll keep them on the other side of the faulty lense of memory. They'll be safer that way.